Clever Edits is two people.
We plan, build and run what goes on the screens at live events. We also edit, color and finish work that never sees a stage.
Between the two of us, we’ve worked corporate shows, tours, festivals, awards shows, broadcasts and a lot of things that don’t fit neatly into a category. Jeremy is on the East Coast, Steve is on the West, and neither of us has much use for a permanent studio. The work goes where it needs to go, and so do we.
Post and live events are usually two separate worlds with two separate sets of people.
Post production and live events tend to live in different worlds. Editors build the content. Show crews figure out how to make it work in the room.
We have spent enough time on both sides that we don’t really see them as separate jobs anymore. If something looks great in the edit but won’t survive the pixel map, the media server or the room, we’d rather figure that out before load-in.

Jeremy Clevenger
Jeremy’s career started in traditional television and post, then gradually moved toward bigger screens and stranger aspect ratios. Since then he has built content for broadcasts, brands, festivals, corporate events and live shows across the country. The through-line is still editorial: figuring out the story first, then figuring out how to make it work in whatever room it has to live in.
His work spans editing, motion graphics, 3D and real-time workflows in Unreal Engine, along with the live side of the job. That might mean a normal 16:9 piece one week and a stage wrapped in millions of pixels the next.
Most of the work comes down to problem-solving. Build something good, understand how it needs to work, and make sure it still works when the clock is running.

Steven McClain
Steve started in live events on the rodeo circuit in Oregon and joined Jimmy Buffett’s tour in 2012 as an LED assistant. From there he worked his way through the video side of touring: building and rigging LED, engineering, media servers and programming. He has spent enough time around the physical side of shows to know when something that looks good on a screen is going to become a problem in the room.
He was also drawing long before he was building things in 3D. On the Buffett tour, a lot of his downtime was spent sketching on an iPad, and eventually those drawings started making their way into the show. Jeremy and the rest of the team would hand him ideas whenever they could find an excuse to use them.
That mix still describes what Steve does now. 2D illustration, 3D modeling, CAD, technical layouts and previs, backed by someone who has actually built LED, run cable, worked with structure and spent plenty of nights getting dirty on a show site.

We met working on Jimmy Buffett’s tour.
We came up on that tour together, and have worked a lot of shows together since. Between the two of us, we’ve done most of the jobs that happen around a video department.
Touring also gave us a pretty deep phone book. Producers, engineers, video and lighting vendors, other artists and studios. Clever Edits is two people, but when the job needs more than two, we usually know who to call.
- Sphere
- Bonnaroo
- Coachella
- Governors Ball
- Madison Square Garden
- Fenway Park
- Wrigley Field
- Citi Field
- Nissan Stadium
- Lucas Oil Stadium
- Barclays Center
- Bridgestone Arena
- The Forum
- Bell Tower
- Hollywood Bowl
- Red Rocks
- Jones Beach
- Merriweather Post
- Alpine Valley
- Pine Knob
- Blossom
- Riverbend
- Ruoff
- Mansfield
- Rock Lititz
- La Cigale, Paris
- Lollapalooza
- ACL
- Electric Forest
- Firefly
- Railbird
- HARD Fest
- Okeechobee
- Hangout
- Sphere
- Bonnaroo
- Coachella
- Governors Ball
- Madison Square Garden
- Fenway Park
- Wrigley Field
- Citi Field
- Nissan Stadium
- Lucas Oil Stadium
- Barclays Center
- Bridgestone Arena
- The Forum
- Bell Tower
- Hollywood Bowl
- Red Rocks
- Jones Beach
- Merriweather Post
- Alpine Valley
- Pine Knob
- Blossom
- Riverbend
- Ruoff
- Mansfield
- Rock Lititz
- La Cigale, Paris
- Lollapalooza
- ACL
- Electric Forest
- Firefly
- Railbird
- HARD Fest
- Okeechobee
- Hangout
Not all of it is ours to claim. Some of these are rooms we crewed in rather than shows we made.






Most of our work comes from people who call us again.
Tell us what you’re working on.