A live show usually has three parts: figure it out, build it, run it. We work in all three.
Sometimes we’re there for one piece of it. Sometimes we’re there from the first drawing through show day. Post production sits alongside all of it for the work that never touches a stage.
Plan
Before anyone rents a truck, we can rebuild the room in 3D.
That means checking sightlines, screen sizes, rigging and how the whole thing actually feels from the audience. It is also a lot easier to change a stage while it is still a file.
Make
Content made for the screen it is actually going on.
Pixel maps matter. So do viewing distance, ambient light and the fact that a loop eventually has to loop. We build around those things instead of making a pretty 16:9 file and hoping someone can make it fit later.
Run
Roles, not tasks.
We get hired as screens producers, content managers, media server programmers and operators. Sometimes we're running our own content. A lot of the time we're running somebody else's. Either way, we know enough about both sides to talk to the people who made it and the people who have to put it on screen.
Post
No stage required.
Not sure what part of this you actually need?
Tell us what you’re working on. We’ll tell you where we fit, including when we don’t.