Examples of our work

Lyric video for Jimmy Buffett, built after his death on a deadline that left no room for a normal 3D pipeline. Twenty-five hours from start to delivery.

Two years of content for Gainbridge’s Nashville Grand Prix events, through Bespoke Sports & Entertainment. Different venues and different production companies each year. In year two, Andretti sent us the car’s CAD and we rebuilt it in Unreal. We never set foot in either venue.

On-site featurette editing at Bonnaroo, Lollapalooza and ACL, with Soundoff and Hive Events. Footage comes in from the festival, gets cut and approved in the trailer, and sometimes airs a couple of hours later.

Seven years of TD live events, through 2025. Motion graphics, virtual sets, media servers, directing, visual effects and same-day editorial, depending on what that year’s show needed.

Three years of festival content for Coca-Cola in Austin, with Hive Events. A multi-screen stage, strict brand standards, and a lot of graphics that still had to feel like they belonged at a music festival.

Virtual sets and Unreal production tools for an animated series greenlit on the Angel Network. The pilot pushed through 450 shots in under five weeks, while we were still building parts of the pipeline.

Projection-mapped content for Wild Turkey and iHeartRadio, through Red Fish Productions. We modeled the Nashville venue from the architectural drawings first, then built the content around what those six projectors could actually do. Rebuilt for each market, several years running.

Investment conferences, with Lambda Productions. Started with LED content and media servers in 2019, moved into a fully virtual production during lockdown, then back to live shows and same-day editorial. The format changed a few times. The client didn’t.

Disguise programming and operation for the 2025 amphitheater tour. Content, IMAG and Notch all ran through our server, fully timecoded, from four days of rehearsal through six weeks of shows.