Examples of our work
Not a complete list, and not a résumé. Tell us what kind of show you’re doing and we’ll send the three closest to it.
Jimmy Buffett’s Bubbles Up
A contracted lyric piece for Jimmy Buffett, released after his death. Built and finished in twenty-five hours, start to delivery.
Gainbridge Nashville Grand Prix
Nashville Grand Prix, through Bespoke Sports & Entertainment. Two years, two venues, two production companies. Year two we had the car’s CAD from Andretti and rebuilt it in Unreal. Nobody from Clever Edits set foot in either room.
Disney+/Hulu Festival Editorial
Bonnaroo, Lollapalooza and ACL, with Soundoff and Hive Events. On-site featurette editing for the Hulu and Disney+ broadcast that runs alongside the festival, often two hours from footage landing to air.
TD Bank Live Events
Seven years on their live events through 2025: on-site directing, visual effects, virtual sets, motion graphics, media servers, and same-day editorial. TD has its own studio in-house; we were the outside team for the parts it was not built to carry.
Coca-Cola’s Sips & Sounds Festival
Coca-Cola in Austin, through Hive Events. Every interstitial on the festival stage. Seven screens in year one, including a curved LED halo, held to the brand standards and still reading like a festival.
Humble House
Unreal virtual sets and the production pipeline for an animated series greenlit on the Angel Network. 450 shots in under five weeks on the pilot. We build the environments the show is made in, keep the pipeline running, and took on VFX comping and color keying when the pilot schedule ran short.
Wild Turkey & iHeartRadio “101 Bold Nights”
Wild Turkey with iHeartRadio, through Red Fish Productions. Six projectors blended across twelve feet of wood, window casings and blinds, modeled from the building’s architectural plans so everyone could see the real thing before anyone traveled. Rebuilt for each market, several years running.
Riverside
Investment conferences, with Lambda Productions. Multiple shows a year starting in 2019: LED content and media servers, then a fully virtual production through lockdown, now live dailies uploaded while the show is still running. Three different formats; the work stayed.
AJR
Programmer and operator on the 2025 amphitheater tour. Fully timecoded: content, IMAG and Notch effects all called from our server, the same way every night. Four days of rehearsal, six weeks of shows.
Looking for a capability rather than a case study?