AJR
Everything the audience saw on that wall was decided at our server.
Stan Kellam had taken over as video director for the arena run the year before, and brought us out for the 2025 amphitheater tour. Our Disguise server sat at the top of the video chain. It decided when IMAG hit the walls, when Notch effects came on, and how the content landed in every song. Once the show started, those decisions had to happen exactly the same way every night.
The design came from Mitchell Schellenger at Station Six and the content from GREATWORK. Our job was making all of it land where it was supposed to.
The LED wall was see-through, and they built a nine-bay grid behind it.
For the encore the band and members of the crew climbed into the bays and played a drum solo, choreographed against lighting, video and performance. It had to be in sync every night.
We helped build a way to test it, record it and run it reliably, while the rest of the show was still being assembled across four days of rehearsal.
Six weeks of amphitheaters. The encore hit every night.
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