Tell us the screen dimensions, the run of show, and the dates.
That is usually enough for us to know what questions to ask next. We’ll tell you how we’d approach it, roughly what it will cost, and whether we’re actually the right people for it. If we’re not, we’ll tell you that too, and point you at someone who is.
One of us reads it.
There are only two of us. Your email is not going through an account manager.
We talk before we quote.
Most of our jobs are too different for a rate card to be useful. A short conversation usually gets everyone to a real number faster.
You get a plan, a number and a schedule.
No mystery process. Just what we think the job needs, what it costs, and how long we think it will take.
Nowhere in particular, which is the point.
There is no studio to book time at. Jeremy is on the East Coast. Steve is on the West. The work happens wherever we happen to be, unless the show needs us in the room. Then we get on a plane.